Our Top Album of the Year: Rosalía's Lux Takes the Number One Spot.
On the surface, this album may look more like a challenging academic examination than the latest popular music album by a musician who just had a last hit featured an international pop icon. Broken into four distinct parts and sung in thirteen tongues, we have a dizzying orchestral-influenced work that delves into female mystery, religious transcendence, and physical transformation, often via the lens of different female saints. The dissolution of a love affair—a topic treated with grounded honesty on another major 2025 album—is shot upwards on this record, carried by the constant sound of a major orchestra and contributions from a Pulitzer-winning songwriter within an extensive list of collaborators. The pure ambition alone renders the efforts of contemporary artists seem rather small.
Rising Above Academic Pretense
The fact that Lux manages to escape overly academic posturing is nothing short of a miracle, and full credit going to the artist. Although this is not her first project to fuse the past and modern styles, its scale are far higher here, with the tightrope walk more dramatic. What really raises her fourth release, beyond its multilayered tunes, rich compositions, and inherent theatricality, is a core spirit of fun. Similar to the legendary Björk during her height, you find a wondrous sense to the vocalist's voice that pulls the listener up in its whirlwind. Even when she's tearing hearts apart, you still want to stay alongside her through the journey.
A Prime Example of Joy
That playful spirit shines brightly on a stirring piano-led song inspired by a saint. It luxuriates in a string-drenched melancholy for more than four minutes. Suddenly, all the music drops silent, and we hear a gleeful laugh and a comment prior to a hilariously over-the-top string surge crashes in with cartoonish impact. The song immediately segues into the frenetic single featuring racing strings, a powerful choral group, and a surprise role from none other than Björk.
"The magic of Lux lies in the listener never exactly know—nor want to predict—where you is going next."
Almost each song finishes at a totally different place from how it started. A track explores the fleeting trappings of celebrity over a featherlight orchestration only to disintegrating into digital cacophony. Another, a cut echoing the artist's previous trap-infused work begins off moody and sinister, featuring prowling vocals, before sudden traditional handclaps and an angelic chorus enter to smooth its rough edges.
The Bridge Between Art & Pop
A key balancing act of the album is navigating the gap of radical experimentation and mainstream accessibility. It is little coincidence that it has become the artist's highest-charting release to break into the Top 5 of major markets: its heart contains a collection of utterly catchy pop songs. A song performed primarily in the English language swells on a chorus that feels to collect increasingly nagging hooks as it spirals upward. That feat gets repeated on a different powerful ballad that expands and contracts, weaving layered melodies like an intricate weave.
- A waltz-like song charms via its playful, theatrical flair and an anthemic chorus.
- Lyrically, it shares the pop culture honesty of contemporary breakup anthems, eviscerating a former partner labeled an "emotional terrorist".
- Throughout the album, the singing have a sharp edge, like a storybook figure hiding a knife: "Top prize in being a motherfucker / You have the podium of disappointment."
An Opulent Feast for the Soul
Lux is popular music on a grand level, an ambitious grasp for capital-A Art amid of looming artificial blankness. It eschews self-absorption in favor of sublime transcendence, crafting a dramatic spectacle that masterfully manages its own built-in ridiculousness. It is a deep well of buried treasure that requires patience to fully mine but doesn't feels like hard work. While other major pop albums of the year seemed like feasting on scraps, Lux offers a sumptuous banquet at which the characters around it, perhaps intoxicated on holy drink, flutter between conversations about historical saints, the profound sensation of heartbreaking sadness, and shared stories about hopeless partners. In essence, it's a modern-day musical from pop's truly endlessly creative visionary.